Ornamentation

Results: 23



#Item
1

"Kantegh" Scientific Articles, Astghik, Yerevan, 2011, 2 (47), pARMENIAN STYLE IN MEDIEVAL RELIEF ORNAMENTATION WITH ANIMAL AND PLANT MOTIFS “The eye through which I see God is the same eye through which God

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Source URL: www.iatp.am

Language: English - Date: 2016-09-09 10:12:06
    2RICERCATE E PASSAGGI Improvisation and ornamentation, This series presents, in a highly practical format, most of the really worthwhile material from the treatises of Girolamo Dalla Casa (1584), Giovanni Bassan

    RICERCATE E PASSAGGI Improvisation and ornamentation, This series presents, in a highly practical format, most of the really worthwhile material from the treatises of Girolamo Dalla Casa (1584), Giovanni Bassan

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    Source URL: www.londonpromusica.com

    Language: English - Date: 2014-06-11 08:47:42
      3Excitation current waveform ornamentation of a synchrotron pulse power supply A) A)

      Excitation current waveform ornamentation of a synchrotron pulse power supply A) A)

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      Source URL: research.kek.jp

      Language: Japanese - Date: 2004-08-02 01:59:27
        4The effect of vibrato on response time in determining the pitch relationship of violin tones Lilit Yoo, David S. Sullivan Jr., Stephan Moore, and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mou

        The effect of vibrato on response time in determining the pitch relationship of violin tones Lilit Yoo, David S. Sullivan Jr., Stephan Moore, and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mou

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        Source URL: www.music.mcgill.ca

        Language: English - Date: 1999-08-11 21:06:00
        5ZETA Violin Techniques: Limitations and Applications Lilit Yoo and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mt. Vernon Place Baltimore, MD 21202 {lyoo|ich}@peabody.jhu.edu

        ZETA Violin Techniques: Limitations and Applications Lilit Yoo and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mt. Vernon Place Baltimore, MD 21202 {lyoo|ich}@peabody.jhu.edu

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        Source URL: www.music.mcgill.ca

        Language: English - Date: 1999-08-11 21:05:25
        6Proceedings Template - WORD

        Proceedings Template - WORD

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        Source URL: www.smcnus.org

        Language: English - Date: 2013-09-27 01:18:32
        7CITY DETECTIVES ON THE MOVE! From 1st to 4th grade. What is a city? What is it that makes Bergen a city? We gather information and experience the city’s spaces or rooms, the construction and ornamentation of its archit

        CITY DETECTIVES ON THE MOVE! From 1st to 4th grade. What is a city? What is it that makes Bergen a city? We gather information and experience the city’s spaces or rooms, the construction and ornamentation of its archit

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        Source URL: www.bergen.kommune.no

        Language: English - Date: 2011-04-14 08:02:02
          8Slides (Glissando) You can think of the slide as creating the same sound as the hammer-on, the only difference being the manner in which this effect is created. A slide (gliss) is notated with a dashinstead of an

          Slides (Glissando) You can think of the slide as creating the same sound as the hammer-on, the only difference being the manner in which this effect is created. A slide (gliss) is notated with a dashinstead of an

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          Source URL: www.bluesageband.com

          Language: English - Date: 2005-09-14 17:51:39
          9Late Baroque Ornamentation: Philosophy and Guidelines 1

          Late Baroque Ornamentation: Philosophy and Guidelines 1

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          Source URL: www.instantharmony.net

          Language: English - Date: 2010-06-15 07:03:36
            10Programming by Playing and Approaches for Expressive Robot Performances Angelica Lim, Takeshi Mizumoto, Toru Takahashi, Tetsuya Ogata, and Hiroshi G. Okuno Abstract— “It’s not what you play, but how you play it”.

            Programming by Playing and Approaches for Expressive Robot Performances Angelica Lim, Takeshi Mizumoto, Toru Takahashi, Tetsuya Ogata, and Hiroshi G. Okuno Abstract— “It’s not what you play, but how you play it”.

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            Source URL: winnie.kuis.kyoto-u.ac.jp

            Language: English