Musical tone

Results: 164



#Item
1Early Music 101 Pitch – The frequency of a musical note or tone, whether played by a plucked string, wind blown into a pipe, or sung. If you double the frequency of a musical note, you go up one octave. Scale – A sca

Early Music 101 Pitch – The frequency of a musical note or tone, whether played by a plucked string, wind blown into a pipe, or sung. If you double the frequency of a musical note, you go up one octave. Scale – A sca

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Source URL: lcsherry.org

Language: English - Date: 2015-07-25 16:56:46
    2Early Music 101 Pitch – The frequency of a musical note or tone, whether played by a plucked string, wind blown into a pipe, or sung. If you double the frequency of a musical note, you go up one octave. Scale – A sca

    Early Music 101 Pitch – The frequency of a musical note or tone, whether played by a plucked string, wind blown into a pipe, or sung. If you double the frequency of a musical note, you go up one octave. Scale – A sca

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    Source URL: www.lcsherry.org

    Language: English - Date: 2015-07-25 16:56:46
      3The effect of vibrato on response time in determining the pitch relationship of violin tones Lilit Yoo, David S. Sullivan Jr., Stephan Moore, and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mou

      The effect of vibrato on response time in determining the pitch relationship of violin tones Lilit Yoo, David S. Sullivan Jr., Stephan Moore, and Ichiro Fujinaga Peabody Institute of the Johns Hopkins University 1 E. Mou

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      Source URL: www.music.mcgill.ca

      Language: English - Date: 1999-08-11 21:06:00
      4technique. Like other types of folk music, Gypsy jazz is a community-based music, both accessible and challenging and ultimately a very rewarding style to play. The best way to learn, of course, is to listen to as much a

      technique. Like other types of folk music, Gypsy jazz is a community-based music, both accessible and challenging and ultimately a very rewarding style to play. The best way to learn, of course, is to listen to as much a

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      Source URL: www.fiddle.com

      Language: English - Date: 2015-05-20 19:33:30
      5ProcIEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, New York, Oct, 1999  IMPROVEMENTS TO THE SWITCHED PARAMETRIC & TRANSFORM AUDIO CODER Scott N. Levine  Julius O. Smit

      ProcIEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, New York, Oct, 1999 IMPROVEMENTS TO THE SWITCHED PARAMETRIC & TRANSFORM AUDIO CODER Scott N. Levine Julius O. Smit

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      Source URL: www.mp3-tech.org

      Language: English - Date: 2009-06-28 10:51:38
      6Sound Waves HP Prime Duration: 1 hour Objective: Characterise the type of a sinusoidal sound wave based on music played on a piano keyboard. Equipment: HP Prime, StreamSmart, microphone, keyboard, loudspeaker

      Sound Waves HP Prime Duration: 1 hour Objective: Characterise the type of a sinusoidal sound wave based on music played on a piano keyboard. Equipment: HP Prime, StreamSmart, microphone, keyboard, loudspeaker

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      Source URL: www.hp-prime.de

      Language: English - Date: 2015-02-24 08:56:29
      7Sound Waves HP Prime Duration: 1 hour Objective: Characterise the type of a sinusoidal sound wave based on music played on a piano keyboard. Equipment: HP Prime, StreamSmart, microphone, keyboard, loudspeaker

      Sound Waves HP Prime Duration: 1 hour Objective: Characterise the type of a sinusoidal sound wave based on music played on a piano keyboard. Equipment: HP Prime, StreamSmart, microphone, keyboard, loudspeaker

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      Source URL: hp-prime.de

      Language: English - Date: 2015-02-24 08:56:29
      8Audio Engineering Society  Convention Paper Presented at the 130th Convention 2011 May 13–16 London, UK The papers at this Convention have been selected on the basis of a submitted abstract and extended precis that hav

      Audio Engineering Society Convention Paper Presented at the 130th Convention 2011 May 13–16 London, UK The papers at this Convention have been selected on the basis of a submitted abstract and extended precis that hav

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      Source URL: www.j3l7h.de

      Language: English - Date: 2012-05-27 06:13:30
      9Daniels_meeting_cover.eps

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      Source URL: arrowheadcenter.nmsu.edu

      Language: English - Date: 2016-01-27 12:57:31
      10Machine recognition of timbre using steady-state tone of acoustic musical instruments Ichiro Fujinaga Peabody Conservatory of Music Johns Hopkins University Baltimore, MD USA 21202

      Machine recognition of timbre using steady-state tone of acoustic musical instruments Ichiro Fujinaga Peabody Conservatory of Music Johns Hopkins University Baltimore, MD USA 21202

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      Source URL: www.music.mcgill.ca

      Language: English - Date: 1999-03-18 22:07:48