Tonal memory

Results: 17



#Item
1

Memory & Cognition 1982, Vol),Acquisition of the hierarchy of tonal functions in music CAROL L. KRUMHANSL and FRANK C. KEIL

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Source URL: music.psych.cornell.edu

Language: English - Date: 2013-04-23 12:46:13
    2Musical set theory / Perception / Absolute pitch / Atonality / Tone / Tonality / Timbre / Primary auditory cortex / Set / Music / Post-tonal music theory / Pitch

    Memory & Cognition 2009, 37 (3), doi:MCThe effect of task and pitch structure on pitch–time interactions in music

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    Source URL: www.psy.mq.edu.au

    Language: English - Date: 2012-10-02 18:53:12
    3Mind / Aptitude / Education / Perception / Pitch / Tonal memory / Experiment / Absolute pitch / Music-related memory / Music education / Ear training / Music

    CALIFORNIA STATE SCIENCE FAIR 2010 PROJECT SUMMARY Name(s) Christopher R. Swenson

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    Source URL: www.usc.edu

    Language: English - Date: 2010-05-05 13:38:40
    4Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.bandofthewestcoast.ang.af.mil

    Language: English - Date: 2007-04-28 19:06:42
    5Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.heritageofamericaband.af.mil

    Language: English - Date: 2007-04-28 19:06:42
    6Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.bandofflight.af.mil

    Language: English - Date: 2007-04-28 19:06:40
    7Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.usafeuropeband.af.mil

    Language: English - Date: 2007-04-28 19:06:42
    8Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.bandofthesouth.ang.af.mil

    Language: English - Date: 2007-04-28 19:06:42
    9Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.heartlandofamericaband.af.mil

    Language: English - Date: 2007-04-28 19:06:40
    10Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

    French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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    Source URL: www.bandofthepacific-hawaii.af.mil

    Language: English - Date: 2007-04-28 19:06:42
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