Atonality

Results: 27



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1Composition, Perception, and Schenkerian Theory david temperley In this essay I consider how Schenkerian theory might be evaluated as a theory of composition (describing composers’ mental representations) and as a theo

Composition, Perception, and Schenkerian Theory david temperley In this essay I consider how Schenkerian theory might be evaluated as a theory of composition (describing composers’ mental representations) and as a theo

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Source URL: theory.esm.rochester.edu

Language: English - Date: 2011-09-29 04:44:15
2PARRHESIA  NUMBER 2 • 2007 • 29–36 A MUSICAL VARIANT OF THE METAPHYSICS OF THE SUBJECT

PARRHESIA NUMBER 2 • 2007 • 29–36 A MUSICAL VARIANT OF THE METAPHYSICS OF THE SUBJECT

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Source URL: www.parrhesiajournal.org

Language: English - Date: 2007-08-13 08:28:07
3M T USIC EACHERS.CO.UK …the internet service for practical musicians.

M T USIC EACHERS.CO.UK …the internet service for practical musicians.

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Source URL: www.musicteachers.co.uk

Language: English - Date: 2008-09-24 15:06:16
4Memory & Cognition 2009, 37 (3), doi:MCThe effect of task and pitch structure on pitch–time interactions in music

Memory & Cognition 2009, 37 (3), doi:MCThe effect of task and pitch structure on pitch–time interactions in music

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Source URL: www.psy.mq.edu.au

Language: English - Date: 2012-10-02 18:53:12
5By the Light of the Silvery Moon, by Katy Evans-Bush  By the Light of the Silvery Moon: Dowson, Schoenberg and the birth of Modernism by Katy Evans-Bush 	
  

By the Light of the Silvery Moon, by Katy Evans-Bush By the Light of the Silvery Moon: Dowson, Schoenberg and the birth of Modernism by Katy Evans-Bush  

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Source URL: baroqueinhackney.com

Language: English - Date: 2013-12-07 15:23:25
6KRIS SHAFFER – MUSIC THEORY SOCIETY OF NEW YORK STATE – 9 APRIL ‘NEITHER TONAL NOR ATONAL’?: A STATISTICAL ROOTMOTION ANALYSIS OF LIGETI’S LATE TRIADIC WORKS Allow me to begin by playing a brief musical

KRIS SHAFFER – MUSIC THEORY SOCIETY OF NEW YORK STATE – 9 APRIL ‘NEITHER TONAL NOR ATONAL’?: A STATISTICAL ROOTMOTION ANALYSIS OF LIGETI’S LATE TRIADIC WORKS Allow me to begin by playing a brief musical

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Source URL: kris.shaffermusic.com

Language: English - Date: 2015-04-15 21:44:53
7Aspects of Modernism in Elgar’s Music J. P. E. Harper-Scott For most of the time that people have been listening to his music, Strauss’s 1902 insistence that Elgar was ‘the first English progressivist’ has seeme

Aspects of Modernism in Elgar’s Music J. P. E. Harper-Scott For most of the time that people have been listening to his music, Strauss’s 1902 insistence that Elgar was ‘the first English progressivist’ has seeme

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Source URL: www.jpehs.co.uk

Language: English - Date: 2013-02-26 08:51:33
8NEW • NOUVEAUTE • NEUHEIT[removed]Josef Matthias Hauer[removed]Complete Melodies and Preludes  Steffen Schleiermacher, piano

NEW • NOUVEAUTE • NEUHEIT[removed]Josef Matthias Hauer[removed]Complete Melodies and Preludes Steffen Schleiermacher, piano

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Source URL: www.mdg.de

Language: English - Date: 2015-04-02 04:22:00
9O Venezia: Texts, Rhetoric and Compositional Process in a Post-atonal Tonal Context Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingdom,

O Venezia: Texts, Rhetoric and Compositional Process in a Post-atonal Tonal Context Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingdom,

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Source URL: www.n-ism.org

Language: English - Date: 2008-04-06 17:01:51
10What is Referential (‘Motivic’) Tonality, and How Does It Differ from Functional Tonality ? Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the Uni

What is Referential (‘Motivic’) Tonality, and How Does It Differ from Functional Tonality ? Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the Uni

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Source URL: www.n-ism.org

Language: English - Date: 2008-05-03 13:34:44