eSaz: a non-Western instrument in the context of a live electronic performance system ROBERT J. GL UCK Department of Music, University at Albany, 1400 Washington Avenue, Albany, New York 12208, USA E-mail: gluckr@albany.

Source URL: www.electricsongs.com

J74 – V-Module – Page 1 Introduction I love improvisation and, at the same time electronic / computer-based music. Many Ableton Live users will recognize this duality as their own. On the other side I am a visual pe

Source URL: www.fabriziopoce.com

Live Coding Practice C lick Nilson University of Sussex Department of Informatics Falmer, Brighton, BN1 9QH +

Source URL: composerprogrammer.com

• Music
• Algorave
• Electronic music
• Experimental music
• Live coding
• Computer programming
• Alex McLean
• Computer music
• Live electronic music
• Impromptu
• Interactive programming
• Coding

Atakan  Günal   Sketch  No.2  -­‐  Notes   October  14,  2009     In  this  assignment  I  have  used  Ableton  Live  as  my  main  audio  application,

Source URL: atakangunal.com

• Software
• Electronic music
• Music software
• DJing
• Sampling
• Reason
• Delay
• Logic Pro
• Record
• Ableton Live

Life is live: Experiencing music in the digital age 7 Life is live: Experiencing music in the digital age Beate Flath1

Source URL: musicbusinessresearch.files.wordpress.com

• Marketing
• Customer experience management
• Telecommunications systems
• Co-creation
• Customer relationship management
• Innovation
• Customer experience
• Emotion
• Music
• Multimedia
• Electronic music

Organised Sound http://journals.cambridge.org/OSO Additional services for Organised Sound: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here

Source URL: composerprogrammer.com

• Software engineering
• Software
• Music
• Algorave
• Software synthesizers
• Live coding
• Electronic music
• Experimental music
• SuperCollider
• Slub
• Alex McLean
• Max

QX Large Format Live Sound

Source URL: www.allen-heath.com

• Sound
• Audio electronics
• Waves
• Audio mixing
• Music technology
• Electronic music
• Insert
• Matrix decoder
• Aux-send
• Stereophonic sound
• QX
• Mixing console

On timbre stamps and other frequency-domain filters Miller Puckette ∗ Abstract FFT-based filters find wide use in both live and ‘tape’ electronic music. Here an attempt is made to develop straightforward guidelines

Source URL: msp.ucsd.edu

• Signal processing
• Telecommunications engineering
• Electrical engineering
• Digital signal processing
• Filter theory
• Linear filters
• Fourier analysis
• Window function
• Filter
• Electronic filter
• Low-pass filter
• Equalization

Physical interaction with automated music composition platforms Jonas Abernot1 and Simon Hickinbotham2 1 2

Source URL: evoevo.liris.cnrs.fr

• Electronic music
• Music
• Experimental music
• Learning
• Cognition
• Digital art
• Evolution
• Computer music
• Live coding
• Computational creativity
• Creativity
• Coding

CHARLES JOHNSON • www.chuckjohnson.net • SUMMARY Composer, sound artist, musician, teacher with a background in improvised music, electronic music composition and performance, experime

Source URL: www.chuckjohnson.net

• Guggenheim Fellows
• Experimental composers
• Electronic music
• Pauline Oliveros
• Miya Masaoka
• Live electronic music
• Music
• Noise music
• In C