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20th-century classical music / Musical modernism / Consonance and dissonance / Alain Badiou / Tonality / Atonality / Edward Elgar / Introduction and Allegro / Serialism / Music / Modernism / Post-tonal music theory


Aspects of Modernism in Elgar’s Music J. P. E. Harper-Scott For most of the time that people have been listening to his music, Strauss’s 1902 insistence that Elgar was ‘the first English progressivist’ has seeme
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Document Date: 2013-02-26 08:51:33


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Farnham / Rome / Cambridge / Vienna / Burlington / London / New York / Surrey / Oxford / /

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Oxford University Press / Modernism / Elgar’s Music / Cambridge University Press / British Music / /

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Soviet Union / United Kingdom / China / /

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University of California Press / /

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October Revolution Day / /

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Symphony No. 5 / /

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Second Symphony / Cambridge University / Nielsen’s Fifth Symphony / Sixth Symphony / Vaughan Williams’s Antic Symphony / Spirit of England / Oxford University / Nineteenth-Century Symphony / University of California Press / /

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Lulu / David Macey / P. E. Harper-Scott / Veïjo Murtomäki / Alberto Toscano / Event / Edward Elgar / James Hepokoski / Warren Darcy / Julian Rushton / Timothy L. Jackson / David Fernbach / Leonard Stein / Eric Hobsbawm / William Walton / Arnold Schoenberg / Daniel M. Grimley / Philip Rupprecht / Aron / Carl Nielsen / Byron Adams / Francis Fukuyama / Steve Corcoran / Matthew Riley / Leo Black / Michael Joseph / Alain Badiou / Richard Taruskin / James A. Hepokoski / /

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New York / /

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Free Press / The Musical Quarterly / in Style / /

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Scandinavia / /

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