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Arts / Surrealism / Paul Éluard / Max Ernst / Collage / Tristan Tzara / Surrealist techniques / André Breton / Gala Dalí / Modern art / Visual arts / Dada


45 Surrealist Cross-Pollinations and Confrontations of Image and Text in Paul Éluard and Max Ernst’s Les Malheurs des immortels LAUREN VAN ARSDALL, UNIVERSITY OF CALIFORNIA, LOS ANGELES
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Document Date: 2015-01-06 12:31:57

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City

Boston / New York / Paris / Cologne / Cambridge / Chicago / Durham / /

Company

Duke University Press / MIT Press / Yale University Press / Ernst / Éluard / Abbeville Press / La Nature / Modern Science- Yale University Press / Vinci / /

Country

Germany / France / /

Event

Business Partnership / /

Facility

University of Chicago Press / University of California Press / George Bataille’s College of Sociology / UNIVERSITY OF CALIFORNIA / /

IndustryTerm

gas bubbles / mechanical measuring devices / literary device / precise suturing tools / compositional device / literary devices / potential energy / /

MusicGroup

Dada / /

Organization

MIT / George Bataille’s College of Sociology / Yale University / Duke University / University of Chicago Press / UNIVERSITY OF CALIFORNIA / LOS ANGELES / University of California Press / /

Person

Renée Riese Hubert / Max Ernst / Paul Éluard / Hal Foster / Sonia Assa / Werner Spies Max Ernst Collage / LAUREN VAN ARSDALL / Isidore Ducasse / Marcel Moore / Max Ernst Collages / Gavin Parkinson / Gala Éluard / Pierre Reverdy / Werner Spies / David Lomas / Roger Caillois / Modest Recording / Tristan Tzara / Robert McNab / Claude Cahun / André Breton / Philippe Soupault / Rosalind Krauss / /

Position

poet / Surrealist poet / acrobat / singular author / author / This acrobat / artist / surgeon / non-specialist / /

PublishedMedium

La Nature / /

Technology

acrobat / /

URL

http /

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