Improvised Music / Experimental Music / BMR Journal / /
Continent
America / Europe / /
Country
United States / / /
Facility
Columbia College / Stable URL / University of California / /
IndustryTerm
expressive systems / belief systems / real-time music-making / musical products / musical belief systems / rhetorical device / /
Movie
Tin Pan Alley / /
Organization
New York School / Columbia College Chicago / Center for Black Music Research / Association for the Advancement of Creative Musicians / University of California / San Diego / /
Person
David Tudor / Luciano Berio / Frank Kofsky / Debussy / Christian Wolff / Amiri Baraka / Virgil Thomson / Earle Brown / John Cage / Elliott Schwartz / Karlheinz Stockhausen / Jackson Pollock / Anthony Braxton / Leo Ornstein / Bud Powell / Lou Harrison / Charlie "Bird" Parker / Henry Cowell / Varkse / Pierre Boulez / Franz Kline / Luigi Nono / Dane Rudhyar / Harry Partch / Morton Feldman / Terry Riley / Rather / George E. Lewis / Carl Dahlhaus / Daniel Godfrey / E. Lewis Black / / /
Position
composer / Professor of Music / young Negro musician / computer-installation artist / head / jazz musician / historian / conductor / /
Improvised Music after 1950: Afrological and Eurological Perspectives George E. Lewis Black Music Research Journal, Vol. 16, No. 1. (Spring, 1996), pp[removed]Stable URL: http://links.jstor.org/sici?sici=[removed]%28199