Buffalo / Minneapolis / Leicester / Baltimore / New York / Milano / Munich / Rome / Turin / Toronto / London / Naples / Florence / /
Company
Cavalcanti / Johns Hopkins University Press / Yale University Press / Susquehanna University Press / Beatrice / Italica Press / Bucknell University Press / /
Continent
Europe / /
Country
Italia / Italy / /
Facility
Princeton University / University Library / BALLIOL COLLEGE / University of Oxford / University of Notre Dame Press / University of Minnesota Press / University of Toronto Press / UNIVERSITY OF OXFORD Abstract / /
IndustryTerm
physiological chain / medieval technologies / /
OperatingSystem
Inferno / /
Organization
The Johns Hopkins University / BALLIOL COLLEGE / University of Notre Dame Press / Princeton University / Bucknell University / University of Toronto Press / Yale University / University of Oxford / UNIVERSITY OF OXFORD Abstract / Susquehanna University / University of Minnesota Press / /
Person
Maria Corti / Esther Calvino / Luke / Caryl Emerson / Mario Marti / Mikhail Bakhtin / Dana E. Stewart / Saul Steinberg / David Bowe / Sonia Gentili / Justin Steinberg / Jacob Blevins / Elena Lombardi / Olivia Holmes / Poeti del Duecento / II / Patrick Creagh / Giorgio Inglese / Madonna / Martin Meidenbauer / Katherine Devers / Simon West / Federica Anichini / Dante Alighieri / Maria Luisa Ardizzone / Jean Thibaudeau / Christian Art / Robert Harrison / Roberto Rea / Guido Cavalcanti / Marc A. Cirigliano / Alfredo Troiano / /
Position
Florentine poet / no privileged speaker / speaker / poet / poet-as-speaker / author / I-speaker / apparently authorial speaker / single player / /
9 Text, Artefact and the Creative Process: ‘The Sad, Bewildered Quills’ of Guido Cavalcanti DAVID BOWE, BALLIOL COLLEGE, UNIVERSITY OF OXFORD