State University Press / Clarendon Press / Beatrice / Oxford University Press / George Bell & Sons / Morris / Kelmscott Press / Richard Clay & Sons / Longmans Green & Co. / Ford / Faulkner & Co / /
Country
France / Canada / United Kingdom / Ireland / /
Currency
GBP / /
Event
Person Communication and Meetings / Person Travel / /
Facility
Tate Gallery / Now Fitzwilliam Museum / Now National Gallery of Ireland / Red Lion Square / Fitzroy Square / Queen Square / University Park / Euston Square / Now National Gallery / New Gallery / /
Madox Brown / Sydney Cockerell / Lucy Brown / Georgiana Burne-Jones / Oliver M. Brown / Thomas Malory / William Rossetti / Belle Iseult / Kelmscott Manor / Belle Iseult Jan Marsh Described / Philip Webb / Jane Burden / Christina / John Christian / William Michael Rossetti / Dante Gabriel Rossetti / Virginia Surtees / Janey Morris / Guinevere / Thomas Plint / Guenevere / Elizabeth Siddal / Jane Morris / Jan Marsh / May / William E. Fredeman / Gabriel Denver / Cheyne Walk / Fanny Cornforth / /
Position
businessman / professional painter / secretary / head / painter / friend and legal adviser / favourite model / Queen / present writer / Walker / model / chalk head / Marshall / /
La Belle Iseult Jan Marsh Described in 1874 as ‘unWnished’,1 William Morris’s only easel painting was begun around the turn of the year 1856–1857, when he was dividing his time between London, where he shared lod