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2nd millennium / Louise M. Davies Symphony Hall / Gewandhaus / Opera house / Tonhalle / National Theater and Concert Hall /  Taipei / Sydney Opera House / Avery Fisher Hall / Orchestra Hall / Entertainment / Classical music / City Recital Hall


Technical Note Note: Technical notes are aimed at promoting discussion. The views expressed are not necessarily those of the editors or the Australian Acoustical Society. Contributions are not formally peer-reviewed.
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Document Date: 2011-05-02 01:36:48


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City

Buffalo / Boston / New York / Fort Worth / Buenos Aires / /

Company

AHT TBK / TSH TBK / /

Country

Australia / /

Currency

STD / /

Facility

Both Kleinhans Hall / Vienna Vienna Washington Washington Watford Wellington Worcester Zurich Opera City Concert Hall Suntory Hall / Música Grosser Musikveriensaal Konzerthaus Staatsoper Kennedy Center Concert Hall / Opera Theatres Beranek / Opera Theatre / Concert Hall BAR / Bass Performance Hall Royal Concert Hall / Kleinhans Music Hall / Opera Theatre Recital Hall ROH WIG / Melbourne Hamer Hall / Opera Theatre EJA / Llewellyn Hall / Opera Theatre Concert Hall MET DER / Concert Hall / Opera Theatre NNT / Denver Boettcher Hall / Opera Houses / Opera Theatre Concert Hall WMC COH / Bass Performance Hall / Sydney City Recital Hall / Tokyo Dai-Ichi Seimei Hall / Sydney Opera House Concert Hall / Opera Theatre Concert Hall GFO JCH / City Hall Code Vienna Boston / Hall Snape Maltings Concertgebouw Meyerhoff Hall Stadt / Bass Hall / Group A hall / Koussetitzkty Music Shed Philharmonic Hall Barbican Hall / Koussetitzky Music Shed / Opera Theatre KCO / Opera Theatre Recital Hall Concert Hall Concert Hall BOH CFM LLH STD / Opera Garnier Acoustics Australia / Opera House Opera Theatre / Opera Theatre Concert Hall Opera Theatre WMO SLC SFH / Hall Auditorio Nacional de Música Free Trade Hall Bridgewater Hall Hamer Hall Melbourne Recital Centre / Royal Festival Hall / Music Llewellyn Hall St Davids Hall / Barbican Hall / Opera Theatre SOP / Concert Hall Concert Hall / Opera Theatre BFW / /

IndustryTerm

energy fraction / energy / lateral energy fraction / acoustic energy arriving / energy arriving / early design tool / /

MarketIndex

Binaural Quality / SIMPLE ACOUSTIC IMMERSION / /

Organization

Melbourne Recital Centre / Taipei Cultural Centre / Congress / Berlin Bonn Boston Bristol Buenos Aires Buffalo Buxton Cambridge Canberra Cardiff Cardiff Chicago Christchurch Cleveland Copenhagen Costa Mesa Croydon Derby Denver Dresden Edinburgh Edmonton/Calgary Fort Worth Glasgow Hall Snape Maltings Concertgebouw Meyerhoff Hall Stadt-Casino Festspielhaus Waterfront Hall Deutsches Oper Kammermusiksaal Konzerthaus Philharmonie Beethovenhalle Symphony Hall Colston Hall Teatro Colon Kleinhans Music Hall Buxton Opera House Faculty of Music Llewellyn Hall St Davids Hall Wales Millennium Centre Orchestra Hall Christchurch Town Hall Severance Hall Opera House Segerstrom Hall Fairfield Hall Assembly Rooms Boettcher Hall Semperoper Usher Hall / United Nations / Hall Auditorio Nacional de Música Free Trade Hall Bridgewater Hall Hamer Hall Melbourne Recital Centre Minnesota Orchestra Hall La Scala Gasteig Philharmonie Herkulessaal / Paris Opera / Australian Acoustical Society / /

Person

Sydney Sydney Sydney Taipei / Aviv London / Milan Munich Munich / Hall Carnegie Hall / Aviv Tokyo Tokyo Tokyo Tokyo / Sydney San Francisco / ASM CBW BMH / Alberta Jubilee Auditoria / Elizabeth Hall Royal Albert Hall / Derby Denver Dresden Edinburgh Edmonton / KAM KHS BPH BBH BSH / Cameron M. Hough Arup Acoustics / BEL BDO KAM KHS BPH / Garnier Staatsoper / Milan Tokyo Paris Vienna / Valencia Vienna Vienna Vienna Washington / Washington Washington Watford Wellington Worcester / /

Position

Queen / RT / conductor / /

ProgrammingLanguage

Scala / /

ProvinceOrState

New York / /

PublishedMedium

Architectural Design / /

RadioStation

Symphony Hall / CBW / /

SocialTag