Chromaticism

Results: 149



#Item
101Chromaticism / Seventh chords / Augmented sixth chord / Triad / Sixth chord / Dominant seventh chord / Dominant / Root / Diminished seventh chord / Music / Harmony / Chords

˙ ˙ music theory for musicians and normal people by toby w. rush

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Source URL: academic.udayton.edu

Language: English - Date: 2014-10-18 02:06:58
102Chords / Chromaticism / Intervals / Minor scale / Modes / Augmented second / Seventh / Sixth chord / Music / Harmony / Musical scales

0205partwritingmelodicminor

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:05
103Scale degrees / Chords / Dominant seventh chord / Leading-tone / Œ / Resolution / Dominant / Seventh / Chromaticism / Music / Harmony / Seventh chords

7 music theory for musicians and normal people by toby w. rush The Dominant Seventh

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:18
104Seventh chords / Chromaticism / Dominant seventh chord / Modulation / Augmented sixth chord / Tonality / Resolution / Sixth chord / Extended chord / Music / Harmony / Chords

0311romanticeratechniques

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:26
105Chords / Chord / Altered chord / Diatonic and chromatic / Borrowed chord / Secondary dominant / Dominant / Œ / Key / Music / Harmony / Chromaticism

music theory for musicians and normal people by toby w. rush Altered Chords up to this point, all the chords we’ve been talking about have been built using

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:21
106Chromaticism / Chords / Changing tones / Music theory / Interval / Resolution / Diminished seventh chord / Sixth chord / Music / Nonchord tone / Harmony

music theory for musicians and normal people by toby w. rush Non-Harmonic Tones n e

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Source URL: academic.udayton.edu

Language: English - Date: 2014-10-18 02:06:38
107Chords / Chromaticism / Root / Leading-tone / Diminished seventh chord / Sixth chord / Music / Harmony / Seventh chords

music theory for musicians and normal people by toby w. rush Harmonic Progression how did composers of the common practice period decide which order

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:08
108Chords / Chromaticism / Chord progressions / Subdominant / Diatonic function / Supertonic / Chord / Secondary dominant / Borrowed chord / Music / Harmony / Scale degrees

0310secondarysubdominants

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Source URL: academic.udayton.edu

Language: English - Date: 2014-10-18 02:07:16
109Chords / Music theory / Seventh chords / Borrowed chord / Altered chord / Œ / Root / Diatonic function / Inversion / Music / Harmony / Chromaticism

music theory for musicians and normal people by toby w. rush Borrowed Chords how does a composer decide which altered notes to use? in a major key,

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:22
110Chromaticism / Scale degrees / Seventh chords / Chord progressions / Neapolitan chord / Sixth chord / Supertonic / Chord / Predominant chord / Music / Harmony / Chords

music theory for musicians and normal people by toby w. rush The Neapolitan Six in addition to the altered root borrowed chords, there is another altered root chord that fits well

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:24
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