| Document Date: 2014-08-27 03:43:25
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City Johannesburg / Lagos / Paris / Dakar / Nairobi / Greenwich / Cape Town / London / / Company Farafina Trust / The Boston Review / Princeton University Press / Sunday Times / Stanford University Press / / Continent America / Africa / Europe / / Country Zimbabwe / United States / Nigeria / United Kingdom / / Event Person Travel / Reorganization / / Facility Colonial library / Cornell University / Gregory Castle / / IndustryTerm political plastics / machinery / / Organization Princeton university / Cornell University / Stanford University / Stanford / / Person Henrietta RoseInnes / Darling / Ashleigh Harris / Vladimir Nabokov / Achille Mbembe / Michael Titlestad / Ngozi Adichie / Ted Talks / Eyal Weizman / Lolita Fire / Eileen Julien / David Fieni / Ong-Ker Shing / Sarah Nuttall / Franco Moretti / Chris Abani / Pale Fire / Jean-Luc Nancy / Helon Habila / Andrew Herscher / Chinelo Okparanta / Teju Cole / Brian Chikwava / Gerald Kraak / Kelly Gillespie / Bryn Mawr / Mukoma Wa Ngugi / Mark McGurl / Joshua Comaroff / / Position architect / high cultural pluralist writer / ultimate arbitrator / arbiter / frustrated writer / teacher / professor / émigré writer / second-language teacher / writer / means representative / novelist / representative / / ProvinceOrState California / / PublishedMedium Boston Review / The Journal of Asian Studies / The Boston Review / Open City / / URL http /
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AWKWARD FORM AND WRITING THE AFRICAN PRESENT (2009); Teju Cole’s Open City (2011); Zakes Mda’s Cion (2007); Taiye Selasi’s Ghana Must Goand, even Adichie’s own, Americanah (2013), though